Mozart

1. CD 121: Zaide, K.344
   1. Wolfgang Amadeus Mozart (1756 – 1791)
      Zaide, K.344
      1. Incomplete
         1. Act 1
            1. 1.
               “Brüder, laßt uns lustig sein”

               1:01

               Gunther Koch, Armin Ude, Joachim Vogt, Wolfgang Wagner, Berliner Staatskapelle, Bernhard Klee
            2. 2.
               “Unerforschliche Fügung”

               6:30

               Peter Schreier, Berliner Staatskapelle, Bernhard Klee
            3. 3.
               “Ruhe sanft, mein holdes Leben”

               5:51

               Edith Mathis, Berliner Staatskapelle, Walter Weih, Bernhard Klee
            4. 4.
               “Rase, Schicksal, wüte immer”

               3:57

               Peter Schreier, Berliner Staatskapelle, Bernhard Klee
            5. 5.
               “Meine Seele hüpft vor Freuden”

               2:24

               Edith Mathis, Peter Schreier, Berliner Staatskapelle, Bernhard Klee
            6. 6.
               “Herr und Freund!”

               3:49

               Peter Schreier, Berliner Staatskapelle, Bernhard Klee
            7. 7.
               “Nur mutig, mein Herze”

               4:18

               Ingvar Wixell, Berliner Staatskapelle, Bernhard Klee
            8. 8.
               “O selige Wonne!”

               6:22

               Edith Mathis, Peter Schreier, Ingvar Wixell, Berliner Staatskapelle, Bernhard Klee
         2. Act 2
            1. 9.
               “Zaide entflohen!”

               2:58

               Reiner Süss, Werner Hollweg, Berliner Staatskapelle, Bernhard Klee
            2. 10.
               “Der stolze Löw'”

               5:21

               Werner Hollweg, Berliner Staatskapelle, Bernhard Klee
            3. 11.
               “Wer hungrig bei der Tafel sitzt”

               3:16

               Reiner Süss, Berliner Staatskapelle, Bernhard Klee
            4. 12.
               “Ich bin so bös’ als gut”

               5:58

               Werner Hollweg, Berliner Staatskapelle, Bernhard Klee
            5. 13.
               “Trostlos schluchzet Philomele”

               6:57

            6. 14.
               “Tiger! wetze nur die Klauen”

               4:42

               Edith Mathis, Berliner Staatskapelle, Bernhard Klee
            7. 15.
               “Ihr Mächtigen seht ungerührt”

               4:29

               Ingvar Wixell, Berliner Staatskapelle, Bernhard Klee
            8. 16.
               “Freundin! stille dein Tränen”

               6:37

               Edith Mathis, Peter Schreier, Ingvar Wixell, Werner Hollweg, Berliner Staatskapelle, Bernhard Klee

Playing Time 01:14:30

1. CD 122: Zaide, K.344
   1. Wolfgang Amadeus Mozart (1756 – 1791)
      Idomeneo, re di Creta, K.366
      1. 1.
         Ouverture

         4:28

         English Baroque Soloists, John Eliot Gardiner
      2. Act 1
         1. 2.
            “Quando avran fine omai” – “Padre, germani, addio!” – “Ecco Idamante, ahimè!”(Ilia)

            7:43

            Sylvia McNair, English Baroque Soloists, John Eliot Gardiner
         2. 3.
            “Radunate i Troiani” – “Non ho colpa, e mi condanni” (Idamante, Ilia)

            8:50

         3. 4.
            “Ecco il misero resto de’Troiani”-“Scingete le catene” (Ilia, Idamante)

            1:02

            Anne Sofie von Otter, Sylvia McNair, English Baroque Soloists, John Eliot Gardiner
         4. 5.
            “Godiam la pace” – “Prence, signor” – “Ma quel pianto” – “Estinto è Idomeneo?” – “Tutte nel cor vi sento” – “Pietà! Numi, pietà!” – “Eccoci salvi alfin” – “Oh voi”

            13:46

            Angela Kazimierczuk, Jonathan Peter Kenny, Philip Salmon, Stephen Charlesworth, Hillevi Martinpelto, Anne Sofie von Otter, Nigel Robson, Sylvia McNair, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir
         5. 6.
            “Vedrommi intorno”-“Cieli!che veggo?”-“Spiagge romite”

            8:50

            Anthony Rolfe Johnson, Anne Sofie von Otter, English Baroque Soloists, John Eliot Gardiner
         6. 7.
            “Il padre adorato”

            2:51

            Anne Sofie von Otter, English Baroque Soloists, John Eliot Gardiner
         7. 8.
            Intermezzo: Marcia

            3:56

            English Baroque Soloists, John Eliot Gardiner
         8. 9.
            “Nettuno s’onori”

            5:10

            English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir
      3. Act 2
         1. 10.
            Tutto m’è noto (Idomeneo, Arbace)

            1:47

            Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner
         2. 11.
            Se il tuo duol, se il mio desio

            4:32

            Nigel Robson, English Baroque Soloists, John Eliot Gardiner
         3. 12.
            “Se mai pomposo apparse”

            1:02

            Sylvia McNair, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner
         4. 13.
            “Se il padre perdei”

            5:53

            Sylvia McNair, English Baroque Soloists, John Eliot Gardiner
         5. 14.
            “Qual mi conturba i sensi”

            1:55

         6. 15.
            “Fuor del mar”

            6:09

            Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner

Playing Time 01:17:54

1. CD 123: Idomeneo, re di Creta, K.366
   1. Wolfgang Amadeus Mozart (1756 – 1791)
      Idomeneo, re di Creta, K.366
      1. Act 2
         1. 1.
            “Frettolosa e giuliva Elettra vien”-“Chi mai del mio provò” (Elettra, Idomeneo)

            1:53

            Anthony Rolfe Johnson, Hillevi Martinpelto, English Baroque Soloists, John Eliot Gardiner
         2. 2.
            “Idol mio, se ritroso”

            4:57

         3. 3.
            “Odo da lunge armonioso suono”

            1:51

         4. 4.
            “Sidonie sponde!”

            0:44

            Hillevi Martinpelto, English Baroque Soloists, John Eliot Gardiner
         5. 5.
            “Placido è il mar” – “Soavi Zeffiri” -“Vattene prence” – “Pria di partir, oh Dio!” – “Qual nuovo terrore!” – “Eccoti in me, barbaro Nume!” – “Corriamo, fuggiamo”

            12:41

            Hillevi Martinpelto, Anthony Rolfe Johnson, Anne Sofie von Otter, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir
      2. Act 3
         1. 6.
            “Solitudini amiche”

            1:12

      3. (G. Varesco)
         1. Act 3
            1. 7.
               “Zeffiretti lusinghieri” – “Ei stesso vien… oh Dei!”

               5:54

               Sylvia McNair, English Baroque Soloists, John Eliot Gardiner
      4. Act 3
         1. 8.
            “Principessa, a’ tuoi sguardi” – “S’io non moro a questi accenti” – “Cieli! che vedo?”

            7:11

         2. 9.
            “Dunque io me n’andrò” – “Andrò ramingo e solo” (Idamante, Ilia, Idomeneo, Elettra)

            5:47

            Anne Sofie von Otter, Sylvia McNair, Anthony Rolfe Johnson, Hillevi Martinpelto, English Baroque Soloists, John Eliot Gardiner
         3. 10.
            “Sire, alla reggia tua”

            0:37

            Nigel Robson, Sylvia McNair, Anthony Rolfe Johnson, Hillevi Martinpelto, English Baroque Soloists, John Eliot Gardiner
         4. 11.
            “Sventurata Sidon!”

            2:54

         5. 12.
            “Se colà ne’ fati è scritto”

            7:31

            Nigel Robson, English Baroque Soloists, John Eliot Gardiner
         6. 13.
            “Volgi intorno lo sguardo”

            4:33

            Glenn Winslade, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner
         7. 14.
            “O voto tremendo”

            4:40

            Glenn Winslade, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir
         8. 15.
            Marcia

            1:24

            English Baroque Soloists, John Eliot Gardiner
         9. 16.
            “Accogli, o rè del mar”

            3:25

            Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir
      5. Appendix – Act 2, scena 3 (fine) – scena 4
         1. 17.
            “Frettolosa e giuliva Elettra vien” – “Sire, da Arbace intesi” – “Chi mai del mio provò”

            2:25

            Anthony Rolfe Johnson, Hillevi Martinpelto, English Baroque Soloists, John Eliot Gardiner

Playing Time 01:09:39

1. CD 124: Idomeneo, re di Creta, K.366
   1. Wolfgang Amadeus Mozart (1756 – 1791)
      Idomeneo, re di Creta, K.366
      1. Act 3
         1. 1.
            “Stupenda vittoria!”-“Qual risuona”-“Sire, il prence”

            1:09

            Anthony Rolfe Johnson, Nigel Robson, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir
         2. 2.
            “Padre, mio caro padre”

            5:18

            Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner
         3. 3.
            “No, la morte io non pavento”

            4:38

            Anne Sofie von Otter, English Baroque Soloists, John Eliot Gardiner
         4. 4.
            Ma che più tardi

            0:52

            Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner
         5. 5.
            “Ferma, oh sire, che fai?”

            1:09

            Sylvia McNair, Anthony Rolfe Johnson, Anne Sofie von Otter, Glenn Winslade, Hillevi Martinpelto, English Baroque Soloists, John Eliot Gardiner
         6. 6.
            “Ha vinto Amore”

            1:54

            Cornelius Hauptmann, English Baroque Soloists, John Eliot Gardiner
         7. 7.
            “Oh ciel pietoso!”-“Oh smania! oh furie!”-“D’Oreste, d’Aiace (Idomeneo, Idamante, Ilia, Arbace, Elettra)

            6:03

            Anthony Rolfe Johnson, Anne Sofie von Otter, Sylvia McNair, Nigel Robson, Hillevi Martinpelto, English Baroque Soloists, John Eliot Gardiner
         8. 8.
            “Popoli, a voi l’ultima legge”

            5:31

         9. 9.
            “Torna la pace al core”

            7:12

            Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner
         10. 10.
             “Scenda Amor, scenda Imeneo”

             3:52

             English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir
   2. Ballet Music from “Idomeneo”, K.367
      1. 11.
         Chaconne – Larghetto – La chaconne, qui reprend – Largo – Allegretto, sempre piano – Più Allegro

         12:31

         English Baroque Soloists, John Eliot Gardiner
   3. Idomeneo, re di Creta, K.366
      1. Appendix – Act 3, scena 10
         1. 12.
            Ferma, oh sire, che fai?

            3:06

            Sylvia McNair, Anthony Rolfe Johnson, Anne Sofie von Otter, Glenn Winslade, Hillevi Martinpelto, English Baroque Soloists, John Eliot Gardiner
         2. 13.
            A Idomeneo perdona

            2:39

         3. 14.
            Ha vinto Amore

            3:44

            Cornelius Hauptmann, English Baroque Soloists, John Eliot Gardiner
         4. 15.
            “Oh ciel pietoso!” – “Oh smania! oh furie!”

            1:16

            Anthony Rolfe Johnson, Anne Sofie von Otter, Sylvia McNair, Nigel Robson, Hillevi Martinpelto, English Baroque Soloists, John Eliot Gardiner

Playing Time 01:00:54

1. CD 125: Die Entführung aus dem Serail, K.384
   1. Wolfgang Amadeus Mozart (1756 – 1791)
      Die Entführung aus dem Serail, K.384
      1. 1.
         Ouvertüre

         4:15

         The Academy of Ancient Music, Christopher Hogwood
      2. Act 1
         1. 2.
            “Hier soll ich dich denn sehen”

            2:56

            Uwe Heilmann, The Academy of Ancient Music, Christopher Hogwood
         2. 3.
            “Aber wie soll ich in den Palast kommen?”

            6:41

            Uwe Heilmann, Günter von Kannen, The Academy of Ancient Music, Christopher Hogwood
         3. 4.
            Könnt ich mir doch noch so einen

            0:47

         4. 5.
            “Solche hergelauf’ne Laffen”

            5:11

            Günter von Kannen, The Academy of Ancient Music, Christopher Hogwood
         5. 6.
            “Geh nur, verwünschter Aufpasser”

            2:32

            Wilfried Gahmlich, The Academy of Ancient Music, Christopher Hogwood
         6. 7.
            Konstanze, dich wiederzusehen, dich!

            5:18

            Uwe Heilmann, The Academy of Ancient Music, Christopher Hogwood
         7. 8.
            Geschwind, geschwind auf die Seite und versteckt!

            1:58

            Wilfried Gahmlich, The Academy of Ancient Music, Christopher Hogwood
         8. 9.
            “Singt dem großen Bassa Lieder”

            1:37

            The Academy Of Ancient Music Chorus, The Academy of Ancient Music, Christopher Hogwood
         9. 10.
            “Immer noch traurig, geliebte Konstanze?”

            1:09

            Wolfgang Hinze, The Academy of Ancient Music, Christopher Hogwood
         10. 11.
             “Ach ich liebte, war so glücklich”

             5:09

         11. 12.
             Ach, ich sagt’ e wohl, du würdest mich hassen

             3:52

             Lynne Dawson, The Academy of Ancient Music, Christopher Hogwood
         12. 13.
             “Marsch! Trollt euch fort!”

             2:06

             Günter von Kannen, The Academy of Ancient Music, Christopher Hogwood
      3. Act 2
         1. 14.
            Dialogue: “O des Zankens”-No. 8 “Durch Zärtlichkeit”

            4:56

            Marianne Hirsti, The Academy of Ancient Music, Christopher Hogwood
         2. 15.
            “Ei seht doch mal”

            2:17

         3. 16.
            “Ich gehe, doch rate ich dir”

            3:34

            Günter von Kannen, The Academy of Ancient Music, Christopher Hogwood
         4. 17.
            “Wie traurig das gute Mädchen” – No. 9 “Welcher… wechsal..Wechsal.”

            2:19

            Marianne Hirsti, The Academy of Ancient Music, Christopher Hogwood
         5. 18.
            “Traurigkeit ward mir zum Lose”

            7:25

            Lynne Dawson, The Academy of Ancient Music, Christopher Hogwood
         6. 19.
            “Ach, mein bestes Fräulein…”

            1:41

            Marianne Hirsti, The Academy of Ancient Music, Christopher Hogwood
         7. 20.
            “Martern aller Arten”

            9:33

            Lynne Dawson, The Academy of Ancient Music, Christopher Hogwood

Playing Time 01:15:16

1. CD 126: Die Entführung aus dem Serail, K.384
   1. Wolfgang Amadeus Mozart (1756 – 1791)
      Die Entführung aus dem Serail, K.384
      1. Act 2
         1. 1.
            “Wo hat sie auf einmal den Mut her”

            2:09

            Wolfgang Hinze, The Academy of Ancient Music, Christopher Hogwood
         2. 2.
            “Welche Wonne, welche Lust”

            3:13

            Marianne Hirsti, The Academy of Ancient Music, Christopher Hogwood
         3. 3.
            “Ah, daß es schon vorbei wäre!”

            3:14

            Wilfried Gahmlich, The Academy of Ancient Music, Christopher Hogwood
         4. 4.
            “Ha! Geht’s hier so lustig zu?”

            1:32

            Günter von Kannen, The Academy of Ancient Music, Christopher Hogwood
         5. 5.
            “Vivat Bacchus! Bacchus lebe!”

            2:01

         6. 6.
            “Ah, ah! Wahrhaftig, es geht noch nichts über..”

            3:07

            Wilfried Gahmlich, The Academy of Ancient Music, Christopher Hogwood
         7. 7.
            “Wenn der Freude Tränen fließen”

            7:33

            Uwe Heilmann, The Academy of Ancient Music, Christopher Hogwood
         8. 8.
            “Ach Belmonte! Ach, mein Leben!”

            10:37

            Lynne Dawson, The Academy of Ancient Music, Christopher Hogwood
      2. Act 3
         1. 9.
            “O Konstanze, Konstanze!”-No.17 “Ich baue ganz…

            7:03

            Uwe Heilmann, The Academy of Ancient Music, Christopher Hogwood
         2. 10.
            “Alles liegt auf dem Ohr”

            2:57

         3. 11.
            “Endlich, sie macht auf, Herr”

            2:06

         4. 12.
            “Ha, wie will ich triumphieren”

            3:17

            Wilfried Gahmlich, The Academy of Ancient Music, Christopher Hogwood
         5. 13.
            “Herr, verzeih, daß ich es so früh wage”

            2:39

            Günter von Kannen, The Academy of Ancient Music, Christopher Hogwood
         6. 14.
            “Welch ein Geschick” -“Meinetwegen willst du sterben”

            9:15

            Lynne Dawson, Uwe Heilmann, The Academy of Ancient Music, Christopher Hogwood
         7. 15.
            “Nun, Sklave! Elender Sklave!”

            2:18

            Wolfgang Hinze, The Academy of Ancient Music, Christopher Hogwood
         8. 16.
            “Nie werd’ ich deine Huld verkennen” – “Bassa Selim lebe lange”

            5:34

            Uwe Heilmann, The Academy of Ancient Music, Christopher Hogwood

Playing Time 01:08:35

1. CD 127: L’oca del Cairo, K.422
   1. Wolfgang Amadeus Mozart (1756 – 1791)
      L’oca del Cairo, K.422
      1. Reconstructed by E. Smith
         1. Act 1
            1. 1.
               “Così si fa”

               3:53

               Inga Nielsen, Anton Scharinger, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier
            2. 2.
               “Auretta mia, Chichibio, vi saluto”

               1:56

               Inga Nielsen, Douglas Johnson, Anton Scharinger, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier
            3. 3.
               “Se fosse qui nascoso”

               3:07

               Inga Nielsen, Anton Scharinger, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier
            4. 4.
               “Buon pro’, Signori”

               0:19

               Inga Nielsen, Douglas Johnson, Anton Scharinger, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier
            5. 5.
               “Ogni momento dicon le donne”

               1:01

               Anton Scharinger, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier
            6. 6.
               “O pazzo, pazzissimo Biondello”

               2:25

               Inga Nielsen, Dietrich Fischer-Dieskau, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier
            7. 7.
               “Siano pronte alle gran nozze”

               5:02

               Inga Nielsen, Dietrich Fischer-Dieskau, Anton Scharinger, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier
            8. 8.
               “L’ultima volta al fin”

               0:30

            9. 9.
               “Che parli, che dica”

               2:36

            10. 10.
                “Ma parmi là in quel lato”

                0:20

                Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier
            11. 11.
                “S’oggi, oh dei, sperar mi fate”

                6:35

                Edith Wiens, Pamela Coburn, Douglas Johnson, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier
            12. 12.
                “Ho un pensiero nel cervello”

                2:57

                Inga Nielsen, Anton Scharinger, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier
            13. 13.
                “Su via putti, presto, presto!”

                13:27

                Inga Nielsen, Edith Wiens, Pamela Coburn, Douglas Johnson, Dietrich Fischer-Dieskau, Anton Scharinger, Berlin Radio Chorus, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier
   2. Lo sposo deluso, K.430
      1. 14.
         Overture

         4:59

         London Symphony Orchestra, Sir Colin Davis
      2. Act 1
         1. 15.
            “Ah, ah che ridere!”

            5:07

            Ileana Cotrubas, Anthony Rolfe Johnson, Robert Tear, Clifford Grant, London Symphony Orchestra, Sir Colin Davis
         2. 16.
            “Nacqui all’aria trionfale”

            3:47

            Felicity Palmer, London Symphony Orchestra, Sir Colin Davis
         3. 17.
            “Dove mai trovai quel ciglio?”

            4:04

            Robert Tear, London Symphony Orchestra, Sir Colin Davis
         4. 18.
            “Che accidenti!”

            3:28

            Felicity Palmer, Anthony Rolfe Johnson, Clifford Grant, London Symphony Orchestra, Sir Colin Davis

Playing Time 01:05:33

1. CD 128: Le Nozze di Figaro, K.492
   1. Wolfgang Amadeus Mozart (1756 – 1791)
      Le nozze di Figaro, K.492
      1. 1.
         Overture

         3:51

         The Drottningholm Court Theatre Orchestra, Arnold Östman
      2. Original version, Vienna 1786
         1. Act 1
            1. 2.
               “Cinque… deci… venti…” – “Cosa stai misurando”

               3:19

               Petteri Salomaa, Barbara Bonney, The Drottningholm Court Theatre Orchestra, Arnold Östman
            2. 3.
               “Se a caso Madama” – “Or bene, ascolta, e taci”

               4:56

               Petteri Salomaa, Arnold Östman, Barbara Bonney, The Drottningholm Court Theatre Orchestra
            3. 4.
               “Se vuol ballare” – “Ed aspettaste il giorno”

               3:05

               Petteri Salomaa, Carlos Feller, Della Jones, The Drottningholm Court Theatre Orchestra, Arnold Östman
            4. 5.
               “La vendetta, oh, la vendetta”

               3:09

               Carlos Feller, The Drottningholm Court Theatre Orchestra, Arnold Östman
            5. 6.
               Tutto ancor non ho perso…Via, resti servita…Va

               4:53

               Della Jones, Barbara Bonney, Alicia Nafé, The Drottningholm Court Theatre Orchestra, Arnold Östman
            6. 7.
               Non so più…Ah, son perduto!

               5:57

               Alicia Nafé, Barbara Bonney, Håkan Hagegård, Edoardo Gimenez, The Drottningholm Court Theatre Orchestra, Arnold Östman
            7. 8.
               “Cosa sento! tosto andate” – “Basilio, in traccia tosto”

               5:23

               Håkan Hagegård, Edoardo Gimenez, Barbara Bonney, Alicia Nafé, The Drottningholm Court Theatre Orchestra, Arnold Östman
            8. 9.
               “Giovani liete” – “Cos’è questa commedia?” – “Giovani liete” – “Evviva!”

               4:29

               Håkan Hagegård, Petteri Salomaa, Barbara Bonney, Edoardo Gimenez, Alicia Nafé, The Drottningholm Court Theatre Chorus, The Drottningholm Court Theatre Orchestra, Arnold Östman
            9. 10.
               “Non più andrai”

               3:34

               Petteri Salomaa, The Drottningholm Court Theatre Orchestra, Arnold Östman
         2. Act 2
            1. 11.
               Porgi amor…Vieni, cara Susanna

               7:37

               Arleen Augér, Barbara Bonney, Petteri Salomaa, Alicia Nafé, The Drottningholm Court Theatre Orchestra, Arnold Östman
            2. 12.
               “Voi che sapete” – “Bravo! che bella voce!”

               3:34

               Alicia Nafé, Arleen Augér, Barbara Bonney, The Drottningholm Court Theatre Orchestra, Arnold Östman
            3. 13.
               “Venite… inginocchiatevi…”

               5:22

               Barbara Bonney, Arleen Augér, Alicia Nafé, Håkan Hagegård, The Drottningholm Court Theatre Orchestra, Arnold Östman
      3. Edition: Alan Tyson (1926-2000)
         1. Act 1
            1. 14.
               “Tutto anchor no ho perso”

               2:07

               Della Jones, The Drottningholm Court Theatre Orchestra, Arnold Östman
         2. Act 2
            1. 15.
               Un moto di gioia

               3:26

               Barbara Bonney, The Drottningholm Court Theatre Orchestra, Arnold Östman

Playing Time 01:04:42

1. CD 129: Le Nozze di Figaro, K.492
   1. Wolfgang Amadeus Mozart (1756 – 1791)
      Le nozze di Figaro, K.492
      1. Original version, Vienna 1786
         1. Act 2
            1. 1.
               “Che novità!”

               1:20

               Håkan Hagegård, Arleen Augér, The Drottningholm Court Theatre Orchestra, Arnold Östman
            2. 2.
               “Susanna, or via, sortite” – “Dunque, voi non aprite”

               3:30

               Håkan Hagegård, Arleen Augér, Barbara Bonney, The Drottningholm Court Theatre Orchestra, Arnold Östman
            3. 3.
               “Aprite, presto” – “O guarda il demonietto!” – “Tutto è come io lasciai”

               2:31

               Barbara Bonney, Alicia Nafé, Håkan Hagegård, Arleen Augér, The Drottningholm Court Theatre Orchestra, Arnold Östman
            4. 4.
               “Esci, omai, garzon malnato” – “Susanna!… Signore!”

               7:54

               Håkan Hagegård, Arleen Augér, Barbara Bonney, The Drottningholm Court Theatre Orchestra, Arnold Östman
            5. 5.
               “Signore, di fuori” – “Ah! signore… signor!”

               3:06

               Petteri Salomaa, Håkan Hagegård, Barbara Bonney, Arleen Augér, The Drottningholm Court Theatre Orchestra, Arnold Östman
            6. 6.
               Ah! signor, signor

               5:42

               Enzo Florimo, Håkan Hagegård, Arleen Augér, Barbara Bonney, Petteri Salomaa, The Drottningholm Court Theatre Orchestra, Arnold Östman
            7. 7.
               “Voi signor, che giusto siete”

               3:42

               Della Jones, Edoardo Gimenez, Carlos Feller, Håkan Hagegård, Barbara Bonney, Petteri Salomaa, The Drottningholm Court Theatre Orchestra, Arnold Östman
         2. Act 3
            1. 8.
               “Che imbarazzo è mai questo” – “Via, fatti core”

               2:19

               Håkan Hagegård, Arleen Augér, Barbara Bonney, The Drottningholm Court Theatre Orchestra, Arnold Östman
            2. 9.
               “Crudel! perché finora” – “E perché fosti meco”

               3:11

               Håkan Hagegård, Barbara Bonney, Petteri Salomaa, The Drottningholm Court Theatre Orchestra, Arnold Östman
            3. 10.
               Hai già vinta la causa!…Vedrò mentr’io sospiro…

               6:05

               Håkan Hagegård, Francis Egerton, Della Jones, Petteri Salomaa, The Drottningholm Court Theatre Orchestra, Arnold Östman
            4. 11.
               “Riconosci in questo amplesso” – “Eccovi, o caro amico” – “Andiamo, andiam, bel paggio”

               6:37

               Della Jones, Petteri Salomaa, Carlos Feller, Francis Egerton, Håkan Hagegård, Barbara Bonney, Nancy Argenta, Alicia Nafé, The Drottningholm Court Theatre Orchestra, Arnold Östman
            5. 12.
               E Susanna non vien…Dove sono i biei momenti…Io

               5:46

               Arleen Augér, The Drottningholm Court Theatre Orchestra, Arnold Östman
      2. Edition: Alan Tyson (1926-2000)
         1. Act 2
            1. 13.
               “Aprite, presto, aprite” – “O guarda il demonietto!”

               0:56

               Barbara Bonney, Alicia Nafé, The Drottningholm Court Theatre Orchestra, Arnold Östman
         2. Act 3
            1. 14.
               “Hai già vinta la causa!”

               4:50

               Håkan Hagegård, The Drottningholm Court Theatre Orchestra, Arnold Östman
            2. 15.
               “E Susanna non vien!” – “Dove sono i bei momenti”

               5:09

               Arleen Augér, The Drottningholm Court Theatre Orchestra, Arnold Östman

Playing Time 01:02:38

1. CD 130: Le Nozze di Figaro, K.492
   1. Wolfgang Amadeus Mozart (1756 – 1791)
      Le nozze di Figaro, K.492
      1. Original version, Vienna 1786
         1. Act 3
            1. 1.
               “Io vi dico, signor”

               1:10

               Enzo Florimo, Håkan Hagegård, Arleen Augér, Barbara Bonney, The Drottningholm Court Theatre Orchestra, Arnold Östman
            2. 2.
               Sull’aria…Cosa mi narri!…Che soave zefiretto…

               2:42

               Barbara Bonney, Arleen Augér, The Drottningholm Court Theatre Orchestra, Arnold Östman
            3. 3.
               “Ricevete, o padroncina” – “Queste sono, Madama”

               3:58

               Nancy Argenta, Arleen Augér, Barbara Bonney, Enzo Florimo, Håkan Hagegård, Petteri Salomaa, The Drottningholm Court Theatre Orchestra, Arnold Östman
            4. 4.
               Ecco la marcia…Eh, già, solita usanza

               5:58

               Maria Höglind, Petteri Salomaa, Barbara Bonney, Håkan Hagegård, Viveka Anderberg, The Drottningholm Court Theatre Chorus, The Drottningholm Court Theatre Orchestra, Arnold Östman
         2. Act 4
            1. 5.
               L’ho perduta…Barbarina, cos’hai?

               3:44

               Nancy Argenta, Petteri Salomaa, Della Jones, The Drottningholm Court Theatre Orchestra, Arnold Östman
            2. 6.
               Il capro e la capretta…Nel padiglione a manca

               5:19

               Della Jones, Nancy Argenta, Petteri Salomaa, Edoardo Gimenez, Carlos Feller, The Drottningholm Court Theatre Orchestra, Arnold Östman
            3. 7.
               “In quegli anni in cui val poco”

               3:49

               Edoardo Gimenez, The Drottningholm Court Theatre Orchestra, Arnold Östman
            4. 8.
               Tutto è diposto…Aprite un po’…Signora, ella mi

               5:05

               Petteri Salomaa, Barbara Bonney, Della Jones, Arleen Augér, The Drottningholm Court Theatre Orchestra, Arnold Östman
            5. 9.
               Giunse alfin il momento…Deh, vieni, non tardar…

               4:09

               Barbara Bonney, Petteri Salomaa, Alicia Nafé, Arleen Augér, The Drottningholm Court Theatre Orchestra, Arnold Östman
            6. 10.
               “Pian pianin le andrò più presso”

               5:07

               Alicia Nafé, Arleen Augér, Håkan Hagegård, Barbara Bonney, Petteri Salomaa, The Drottningholm Court Theatre Orchestra, Arnold Östman
            7. 11.
               “Tutto è tranquillo e placido” – “Pace, pace mio dolce tesoro”

               4:35

               Petteri Salomaa, Barbara Bonney, Håkan Hagegård, The Drottningholm Court Theatre Orchestra, Arnold Östman
            8. 12.
               “Gente, gente, all’armi”

               4:52

               Håkan Hagegård, Petteri Salomaa, Edoardo Gimenez, Francis Egerton, Enzo Florimo, Carlos Feller, Barbara Bonney, Arleen Augér, The Drottningholm Court Theatre Orchestra, Arnold Östman
      2. Edition: Alan Tyson (1926-2000)
         1. Act 4
            1. 13.
               “Giunse alfin il momento”

               7:27

               Barbara Bonney, The Drottningholm Court Theatre Orchestra, Arnold Östman

Playing Time 00:57:55